18th Street looking west

OK, here's the last Pilsen drawing that I'm going to post. When I first started to use a technical pen I

got a thrill out of creating intricate details and then completely covering them with cross-hatching. Somehow the eye perceives the detail even with the most minimal information.

A painter I admire used to talk about all of the meaning he would hide in the dark areas of his paintings. I don't think anyone knows exactly what he was hiding, but somehow you can feel it there.

When a drawing is reduced digitally you have a near total loss of detail. But if the image is a good one compositionally it may seem like something more is there. Keep in mind it may simply be a good reduction of a mediocre image.

19th Street and Blue Island

Here's another drawing from the Pilsen exhibit at Mess Hall. This is one of the few drawings I've done entirely from a photograph. I normally use reference photographs, but usually I take them myself from several angles and distances. When you only have one image to work from you have to do alot of interpretation. Everything has to look like it makes sense, even if you're not 100 percent sure how it all goes together. The goal is to have a unified image that can overcome all the ambiguities in lighting, materials, and construction. It's good to have goals.