Wednesday, June 21, 2006

Dragon on Ashland

I was out walking with Felix and spotted this cast stone dragon ornament on the entrance of a great apartment building on Ashland north of Pratt. There was another one on the opposite side of the entry, but it had even more electrical conduits running around it.

I had this idea for a Rogers Park booklet called, "Following Felix". I would walk through the neighborhood with Felix in his sling and take a photograph of everything that catches his attention. Ideally Felix should wear a helmet with a camera that snaps a photograph at regular intervals. Then I would work up line illustrations for as many as I could, and try to figure out what appeals to the eye of an 8 month old. There could be a huge market for this! Right? I imagine Felix would look alot like one of those Borg babies.

Friday, June 16, 2006

18th Street looking west

OK, here's the last Pilsen drawing that I'm going to post. When I first started to use a technical pen I
got a thrill out of creating intricate details and then completely covering them with cross-hatching. Somehow the eye perceives the detail even with the most minimal information.

A painter I admire used to talk about all of the meaning he would hide in the dark areas of his paintings. I don't think anyone knows exactly what he was hiding, but somehow you can feel it there.

When a drawing is reduced digitally you have a near total loss of detail. But if the image is a good one compositionally it may seem like something more is there. Keep in mind it may simply be a good reduction of a mediocre image.

Wednesday, June 7, 2006

19th Street and Blue Island

Here's another drawing from the Pilsen exhibit at Mess Hall. This is one of the few drawings I've done entirely from a photograph. I normally use reference photographs, but usually I take them myself from several angles and distances. When you only have one image to work from you have to do alot of interpretation. Everything has to look like it makes sense, even if you're not 100 percent sure how it all goes together. The goal is to have a unified image that can overcome all the ambiguities in lighting, materials, and construction. It's good to have goals.